What is Shrotrendriya ?

• NOW tell me what modern science has to say about a EAR or hearing >? anything ANy sound that falls on ear should be heard by the ear .. it waves , it falls on cochlea and we grasp ? DOES shastra accept this view ?
• EAR is goverened by many tatvabhimani devatas .. each are responsible for making us hear a particular shastra ..... so starnge is this ... if one has no anugraha of particular devata sub abhimani of EAR one particular subject does not go into head , worst one may neevr ever ehar that shastra at all
• so whcih abhimani devata makes us hear which shastra ?
• Mitra [ adhipati of east direction ] is responsible for making us hear KAAMYA shastra [ shastra needed to live decent life express and fulfill our desires ]
• YAMA [ lord of south direction ] makes us hear listen to DHARMA SHASTRA and TANTRA shastra
• Western LORD VARUN gives us SHADANGA shastra .. vedangas ..
• KUBERA gives us hearing capability to know NEETISHASTRA
• cCHANDRA allows us to know vedas
• So if you want to KNOW things .. one must do DIGDEVATA upasana
• simply going to pravachanas without digdevata pooja archana , will result in mind wandering and making different meanings out of pravachana ..
• SAndhya is complete package to improve one's life ... no part of it is AUPACHARIK
• actually i acn write for another ten eyars ona daily basis ie 3600 secrets about sandhya which are not known to normal people
• Sandhyavandan can alone make ones life zingalala .. if only he knows its importance ...
• to amke this abhimani devat concept interesting .. MADHWACHARYA has mentioned differently , in each of bhashya tatparya , the abhimani devat list for tattvas .. a normal reader will get confused ..and some vipareet gnanis amy even attribute inconsisitency ..
• so unlike Scientiic explanation which treats ear as JUST an ORGAN [ a static component ] there is much more to ears .. as ear is FIRST instrument which makes one KNOW about SHASTRAS ..
• GURU mukh shravan is so effective that I still remember the lessons that gurus have imparted [ on VEDIC SHASTRA ] with the pictorial reference on the issue or sanshaya
• all the shabda sparsha rupa rasa gandha are governed by RUDRA putras ... so how important is GANAPATY ,, can be known by this statement \
• what's connection here ? when we lament that particular thing or person is not favourably disposed .. what we actually eman is our karmas are prohibiting us from particular result owing to inadequate supply and logistics of SHABDA ras gandha rupa sparsha ... .. and how will it get right ? by LAMENTINg ? or by beggig ? by pleading ? or by looking for alternate ? when balance is nill wherever you go you will get REJECT stamp // so wise dont lament ?
• manas [ mind is loose translation ] .... is governed by RUDRA ... but MADHWACHARYA says even GARUD SHESHA also rule over MANAS ...what three people will do by governing it ?
• MS that is evidence that its RAYARu who makes us all learn ..
• NOW if three people are governing same element [ mere teen teen boss ] ... doesnt too many cooks spoil the broth apply ? or some vipareet gnanai can make serial also that manas never sits tight .. as either one boss is always not happy ... [ thats NS way of thinking , agar shivji maan gaye to garud ji ne latka diya nahi shesha khafaa hogaye , mera man to uljha hi hai ] this thought arises when we apply loukik to TATTVA which shuld not be done .. YATHARTHA is different \
• NOW till we come across MADHWACHARYA we can endlessly fail to understand what is RUDRA sESHA GARUDA all three doing to my manas ... ACHARYA says ... when we are listening to VYAKHYANA its understanding given by SHESHA ... and MANAN of the shastra is given by RUDRA .. and DHYANA of the subject and its darshan is given by GARUDA
• manas is divided into suxmamanah and jnana yogya .. and they are giverned by aniruddha and chandra
• SOMEparts of MANAS which actually are more transient into AHAM are governed by KAMA RATI .. INDRA sachi .. and overall by PARVATI
• Infact there are 25 BHAGVAT rupas for all tatavas and also LAXMi rupas and also 25 exclusive PRANA rupas ....
• Infact SUMATEENDRARU while explaining anusandhana of HANUMAN pratima .. he allocates a different meaning to PRANA .. he says AVAHANA in HANAUMAN pratima shoudl be thru "VAYAva YAAHi " ruch with HANumat pratimanatargat bhagavt kanchukayit vayu shabda vaachya MUKHYAPRANANTARGATam PRAANA shabda vaachya param mukhyartham NARYANAM ch anusanndhaay " this is just mind boggling anusandhaan of HANUMAAN
• So while doing pooja upasan or aradhana thsi TATVA devata understanding is very IMPORTANT .. who's who inside .. f you are doing RUDRARADHAN one must know who are his PANCHA PRANA .. who are our TATVAs ... and FINALLY who is PRANA and TATAVDEVATS for AHNAUMAN hislef ..? well NARYANa himself BUT how is he KNWON theer WHAT is he called ? THAT is SHASTRA
• then there are maaping of 11 shakti RUPAS to these .. these shakti rupas are again GOVERENED by 11 NARAYAN rupas .. and these rupas dhyaana is evry INETERSTING .. all these rupas are to be done dhayan like SURROUNDING a MOOLARUPA .. and in standing in
• KNWOING these rupas gives these gunas to us .. hence it is must to know them ..
• yes ..
• BUT subtle thing to understand is each bhagavd rupa its upasan gives a particular siddhi and also gives progress in the path of APAROXA .. so general thinking that innate expressive histrionic bhakti will lead to MOXA and studying hard makes no sense is NOT correct SADHANA is about KNOWING GOD ie HAVING JNANA ..
• No no those rupas are not doingseva .. they are as avarana and it indicates 8 syllables of OMAKARA from which ASHTAKSHARA has come .. in the same dhayna bramha rudra are doing seva is clearly there
• what anusandhan did you do in patanga while playing KITE .. ?
• aisa kaisa .. HAr cheez mein anu\sandhaan rehna jarori hai nahi toh lep lagta na bia .... PATNAG mein dyu namak hari ka anusandhan karna chahiye .. aur uske aaspaas ka hawa mein bhutvayu ka .. akaash mein ganapaty kaa .. and udne wale dhaage mein pradhaan vayu ka ..
• MADHWACHARYA hints that improvement in each indriya .. there is mantra for it
• FUN is when KITE flys as per our wish when do anusandhaana
• RS NARAYAN ke guno ko jaanne ke liye LAXMIDEVI ke hi bas mein nahi hai poori tarah to hum to naya naya sunte hi rahenge .. aur karodon janmo tak
• any act without anusandhana of lord , means YOU WILL BE FEELING " I AM FLYING KITE " there you get LEPA
• do tarike hai ENJOY karne ke . 1> KYA jamke khele bhai majaa agya 2> kya jamke khilaya bhagavaan ne , maja dilwaya
• 1st one majaa has a life cycle , it dies with time , 2nd , has no life cycle .. it always gives pleasure
• shastra padhke , deemag ke kone mein phenke to matlab nahi , apply karne ka life mein
• break
• backtracking karte karte jindagi nikal jayegi.. aur forward scoring ekdum porr rahega
• narhariashtak link can anybody give
• ahamkara us tatva above manas .. and intermediary the compositions vary and are digitally called as aham and manas ..